Back on the Street Again Australian Funk Soul
BACK ON THE STREET Again (AUSTRALIAN FUNK, SOUL AND PSYCH (Mostly) FROM THE FESTIVAL VAULTS.
Back On The Street Once more (Australian Funk, Soul And Psych (More often than not) From The Festival Vaults).
All besides oftentimes, many record buyers forget that there's more to music than the classic rock that was produced on both sides of the Atlantic during the late-sixties and seventies. While this was a hugely important and influential period musically, and was when some of best, and nigh important albums in the history of music were released, there'south a whole world of music awaiting discovery.
Sadly, many music lovers know what they like, and like what know. They're resistant to new types of music, and have a very narrow musical sense of taste. If it'south not The Beatles, Rolling Stones or The Beach Boys, they don't want to know. That is a smashing shame, given how much music from the 4 corners of the world has been reissued over the by iii decades.
All this music has been embraced by a new generation of music fans. They want to discover the delights of Afrobeat, Anatolian, Asian, Cuban, Eastern European, Haitian, Iranian, Latin and S American music. This new generation of record buyers accept too embraced the Berlin Schoolhouse of electronic music, industrial and Krautrock, and helped fuel the resurgence of interest in both genres. It's a like case with the Nordic music scene which is thriving, and has been embraced by a new generation of music lovers. They accept a truly eclectic sense of taste in music.
This has been helped no end, past the internet. At present information technology's possible to discover music from all over the world at the click of a button. If they like what they hear, they tin buy an album or compilation from the condolement of their sofa. Never has buying music been easier. A new compilation that will be of interest to not simply those with an eclectic gustatory modality in music, simply anyone who loves good music, is Dorsum On The Street Once more (Australian Funk, Soul And Psych (Generally) From The Festival Vaults), which was recently released by Festival on CD and equally a double LP.
Back On The Street Once again (Australian Funk, Soul And Psych (Mostly) From The Festival Vaults) was compiled by DJ Kinetic, who has dug deep to discover the 20 tracks that feature on the compilation. They're not by the biggest names in Australian music. Instead, they're by artists who were popular locally, but never found the commercial success their music deserved nationally. This includes Billy Thorpe and The Aztecs, Johnny Rocco Band, Renée Geyer, John Sangster, Ray White Revival, McPhee, Kahvas Jute, Al Styne and Hot Source. Many of these artists and bands released just the one groundbreaking album, before disappearing into obscurity. Nowadays, these albums are highly collectable and prized possessions amidst record collectors. DJ Kinetic'southward decision to compile a compilation of these tracks was a masterstroke, as Back On The Street Again (Australian Funk, Soul And Psych (Mostly) From The Festival Vaults) is chock full of hidden gems.
It's Billy Thorpe and The Aztecs cover of Etta James' Back On The Street Again that opens Dorsum On The Street Again (Australian Funk, Soul And Psych (Mostly) From The Festival Vaults). It's taken from Billy Thorpe and The Aztecs' 1975 sophomore album Million Dollar Bill, which was released on the Infinity label, which was an banner of Festival Records. The highlight of Million Dollar Bill was the moody, atmospheric comprehend of Back On The Street Again which is funky and soulful. It deserved to fare much better than thirty-seven in the Australian charts.
Fifty years ago, in 1967, The ID released what was their one and only album Big-Time Operators on the Spin characterization. The ID were lead past Jeff St. John, whose regarded every bit possessing one of the about soulful voices in Australia. He puts it to good use on this storming, claw-laden, mod-soul comprehend of Feel Awight. It would become down well on the UK'south Northern Soul scene.
Ross D. Wyllie was born in Brisbane, Queensland in 1948 and released a handful of singles betwixt 1967 and 1972. This included Exercise The Uptight on Festival Records in 1967. It was penned by Johnny Young of Immature'due south Talent Time, and is another song that was a favourite of Australian mods.
One of the pioneers of Australian funk was the Johnny Rocco Band. Their career began in the early seventies, and past 1975 they released their one and merely album Rocco on The Ritz Gramophone Company. A year later on, Rocco was released in North America past 20th Century Records. One of the funkiest tracks on Rocco was Funky Max, which has a harder, funky audio that heads in the direction of P-Funk. Funky Max has a truly timeless funky sound that's testament tp bandleader Russell Dunlop, who sadly, passed away in 2009.
In 1972, the Daly-Wilson Large Band Featuring Kerrie Biddell released their debut album The Heady Daly-Wilson Large Band on Festival Records. Information technology'due south a captivating fusion of influences, with big ring music combining with jazz and funk to create a heady musical mash. Specially on City Sounds, which features a vocal powerhouse from Australian jazz singer Kerrie Biddell. She's the Daly-Wilson Large Band'southward undercover weapon, on this dance-floor filler.
Another dance-floor filler is Voodoo Funk, which was on the B-Side of a promo released past Dalvanius and The Fascinations on Infinity in 1977. Checkmate On Honey had been called as the single. Not for the first time, the better song was relegated to the B-Side. Subsequently in 1977, Checkmate On Love was released every bit a single, with Voodoo Lady yet tucked away on the flip-side. Whatever DJ who flipped over to Voodoo Funk would've discovered a glorious slice of disco funk that's just as good equally annihilation that was being released in Uk, Europe and America. Sadly, Voodoo Funk was the one that got away for Dalvanius and The Fascinations. Nowadays, it's a much prized asset of clued upwards
Renée Geyer was only 20-4 when she released her third album Moving Forth on RCA Victor in 1976. It reached number eleven in Australia, and was Renée Geyer's first album to exist released by RCA Victor in America. That was no surprise, every bit the Melbourne born singer had established a reputation as having one of the finest voices in Australian music. Proof of that is Be There In The Morn where Renée Geyer delivers one of her about soulful vocals on Moving Forth.
John Sangster solo career began in 1967, when the composer, drummer, cornettist and vibraphonist released his debut album The Trip. Ii years later, and John Sangster released his third album Ahead Of Hair on Festival Records. It was some other ambitious album from the man that's present remembered every bit one of Australia's finest jazz drummers. He puts his many talents to adept on Hair, playing vibes and drums on this groundbreaking jazzy rails.
Very trivial is known well-nigh the Ray White Revival who covered Stevie Wonder's Superstition in 1976. Nevertheless, it'southward an uber funky and soulful track from the long forgotten and truly talented Ray White Revival.
Merely similar many record companies in the seventies, Festival Records had their own studio band. This was the Festival Studio 24 Orchestra, who released two albums between 1974 and 1976. Their sophomore album was Heading In The Correct Direction, which featured Africa (Fifty'Ete Indien). It was released equally a single in 1976, and shine slice of soul funk from the the Festival Studio 24 Orchestra.
Brute Strength And His Drum only released the one unmarried on the Copperfield label. This was Weird and Wonderful in 1974, which begins with a soliloquy that says: "hey pulsate, let'south play something weird and actually wonderful." It certainly does. Weird And Wonderful was left-field percussive funk track that's 1 of the rarest tracks on Back On The Street Again (Australian Funk, Soul And Psych (Mostly) From The Festival Vaults). Copies are almost impossible to find, and when they come up for sale, change easily for large sums of money. However, DJ Kinetic makes it possible to hear Weird and Wonderful without taking out a second mortgage.
Two tracks from McPhee'southward 1972 eponymous debut album are included on Back On The Street Again (Australian Funk, Soul And Psych (Mostly). Information technology'south thought that Moto was cocky-released, and only 500 copies being pressed. Anyone who has a re-create, doesn't seem willing to office with highly prized heavy psych anthology. It sometimes heads in the management pop. proto-prog and soul, while referencing Black Sabbath and Jefferson Aeroplane vocalizer vocalist Grace Slick. Twp of the highlights of this oftentimes-overlooked anthology are The Wrong Time and ndian Rope Man.
Back in 1971, Kahvas Jute released their debut album Broad Open on the Infinity characterization. It was a groundbreaking anthology and constitute Kahvas Jute pioneering progressive stone. Since then, Broad Open up has become some other highly collectable, subconscious jewel that today, changes easily for over £ane,200. Ane reason why, is Odyssey which is ane of the highlights of Wide Open.
In 1969,Tamam Shud released their debut album Evolution on CBS. Great things were expected from Tamam Shud. However, a year after the release of Goolutionites And The Real People in 1971, Tamam Shud dissever-up in 1972. Twoscore-v years later, and Tamam Shud are regarded as ane of the greatest Australian psychedelic and progressive rock bands. A reminder why is the lysergic, progressive delights of Sea That Swells (From Morning Of The World).
Blackfeather were without dubiousness, one of the most popular and successful groups of the early on seventies. They were formed in 1970, and a twelvemonth later, released At The Mountains Of Madness on Infinity in 1971. Originally, Blackfeather started life equally a progressive rock ring. The progressive sound tin can be heard throughout At The Mountains Of Madness, and on The Rat Suite "Primary Title" which features some baking, blazing guitar riffs. Afterward, though, Blackfeather their sound, moving towards a much populist rocky sound which found favour with the wider tape buying public. Notwithstanding, The Rat Suite "Primary Championship" is a reminder of Blackfeather'due south progressive rock era.
During the seventies, Al Styne was an actor and vocaliser who popular in the lodge excursion. In 1977, Al Styne got the opportunity to record an album for Festival Records. He was joined by The ABC Showband on his 1977 album Yesterday When The World Was Warm. It featured Vehicle, which features a funky and jazz-tinged system as Al Styne's vocal unleashes a powerful, soulful vocal.
British composer Keith Mansfield penned Oz Bump (Soul Affair) for Hot Source in 1975. It was released on Festival Records and was funky and dance-floor friendly. Hot Source it seemed were looking to jump on the disco bandwagon. However, when the single failed to brand any impression on the charts, Hot Source didn't release a followup. Since and then, it'due south go a much prized unmarried, that regularly changes hands for in excess of £100.
Count Copernicus and The Cosmic Fire released Painted Ego every bit a single on Festival Records in 1974. Information technology featured an impressive array of talent. They put that to good use on a funky, soulful, rocky and lysergic sounding song. It's another hidden gem that'due south a welcome add-on to the compilation.
Closing Back On The Street Again (Australian Funk, Soul And Psych (More often than not) From The Festival Vaults) is a cover of The Beatles' A Solar day In The Life from John Sangster's sophomore album The Joker Is Wild. It was released on Festival Records in 1968, and is best described as acidic easy listening. In doing so, John Sangster stays true to psychedelic sound of the original.
Back On The Street Over again (Australian Funk, Soul And Psych (Mostly) From The Festival Vaults) which was recently released by Festival, is without doubt, i of the best compilations of 2017 so far. It's quality all the way, as DJ Kinetic introduces the listener to 20 tracks from the sixties and seventies. This ranges from avant-garde, disco, piece of cake listening, funk, jazz, progressive rock, psychedelia, rock and soul on this truly eclectic and captivating compilation.
There's contributions from familiar faces, new names and a few old friends. Most of these tracks are hidden gems, including several from artists who but released the i single. Others got as far every bit releasing an anthology, while some released two or more than albums. Sometimes, the artists and bands who released merely one or ii albums, left behind innovative and groundbreaking albums. Many of these albums are at present collector'due south items, that change hands for big sums of money.
Indeed, to buy copies of each of the singles or albums that the tracks from Dorsum On The Street Again (Australian Funk, Soul And Psych (Mostly) From The Festival Vaults) were taken from, would cost upwards of £4,000. That's if copies of the singles or albums could be establish. Many are nigh impossible to find, information technology's highly unlikely that those who own them would exist willing to sell. Yet, Back On The Street Once more (Australian Funk, Soul And Psych (Mostly) From The Festival Vaults) gives everyone the opportunity to detect the delights of some of the subconscious gems that are tucked away in the Festival Records' vaults.
Back On The Street Again (Australian Funk, Soul And Psych (Mostly) From The Festival Vaults).
- Posted in: Avant Garde ♦ Funk ♦ Jazz ♦ Prog Rock ♦ Psychedelia ♦ Rock
- Tagged: Al Styne, Dorsum On The Street Again (Australian Funk Soul And Psych (Mostly) From The Festival Vaults)., Billy Thorpe and The Aztecs, DJ Kinetic, Festival, Hot Source, John Sangster, Johnny Rocco Band, Kahvas Jute, McPhee, Ray White Revival, Renée Geyer
Source: https://dereksmusicblog.com/2017/04/13/back-on-the-street-again-australian-funk-soul-and-psych-mostly-from-the-festival-vaults/
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